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7 Gospel Concerts I Won’t Forget: Part 2

7 Gospel Concerts I Won’t Forget: Part 2

Last week was fun. We took a stroll down memory lane and re-visited some classic concerts by the Blendwrights, Dannibelle Hall and the Midnight Musicals at the annual COGIC Convocations. Let’s close with these four.

The Edwin Hawkins Singers at the WEUP Radio Station

If you’re an Oakwoodite, WEUP needs no introduction. For years it has been the top gospel radio station in Huntsville. Back in the day they would have live concerts at the station featuring some of the nation’s top gospel artists.

Now this was literally music to our ears because the Oakwood Church wasn’t exactly fond of gospel music. As far as they were concerned, if you looked up the word “Devil”, you’d probably see a picture of a drum! These days when I hear folk like Travis Greene and J.J. Hairston, and Kierra Sheard in the sanctuary, I’m still looking around for Elder Ward to cut the mics off.

The night the Hawkins family was at WEUP, I was there early, but I was already late. Why? Because the auditorium was the size of your living room….and I don’t even have to know how large your living room is! The place was packed but the music was wonderful. Tramaine, Daniel, Lynette, Walter, Edwin….” Oh Happy Day”, “Come and Go with Me”, “Early in the Morning”, “Here’s the Reason” and on and on and on. Enough said. That one I won’t forget.

James Cleveland in Columbus, Georgia

Pastoring in Phoenix City, Alabama and living in Columbus, Georgia was an experience. The people were great, but the area was isolated. Nobody was “coming through” Columbus on the way to someplace else. So, I literally could not believe the radio announcer when he said that James Cleveland would be in concert in Columbus. The city was a decent size, but Cleveland was by far the biggest thing in gospel music at that time.

I got an even greater shock when they announced the location, a church just about a mile from our home. I squeezed into a pew and I wasn’t disappointed. No praise and worship back then, they prayed and gave him the mike. For 2 solid hours he took the Cleveland Singers through his hits and classic hymn arrangements. He was a master. To this day, his Gospel Music Workshop of America is the largest annual gospel music convention in the world.

Thomas Whitfield in Orange County

Thomas Whitfield was a musician’s musician. Michael O. Jackson, one of my former Ministers of Music, traveled with him for a period and had amazing stories. Frankly, early on I didn’t particularly care for him. Some of his music reminded me of the progressive jazz albums my father loved, but that I couldn’t quite get with. Too dissonant for my taste. Strange chord structures. But the more I listened the more I understood.

In 1977 he formed the Thomas Whitfield Singers in Detroit and they changed a generation. Over the years, groundbreaking gospel artists like: Kirk Franklin, Donald Lawrence, Fred Hammond, Richard Smallwood, Yolanda Adams, Ricky Dillard, Kim Burrill and others have been asked about their musical influences. There was at least one name that appeared on everyone’s list. Thomas Whitfield.

I heard him in concert in Orange County California in 88 or 89. They opened with a strong praise and worship set by the host church and house band. Whitfield came on with some of his Detroit based background singers-Michael Fletcher, Gwen Morton, Larry Whitfield-but they added some local singers. It was seamless. They moved through all of his classics and more. Songs like:

“We Need A Word From The Lord”
“Hallelujah Anyhow”
“Oh, How I Love Jesus”
“Nothing But The Blood”
“Precious Jesus”

Two words kept coming to mind as I listened. Excellence and genius. I won’t forget that concert.

John P. Kee at Academy Cathedral in Inglewood

Some people collect rocks and coins. I’ve always collected concerts. There’s nothing like the energy and creativity of a live concert, and for years the king of live concerts was John P. Kee. Kirk Franklin and others patterned their concerts after his. The energy, the excellence, the humor, the dancing, the give-a-ways. All of these were John P. Kee standards. He was dubbed the Prince of Gospel Music for good reason.

Now, if you’re going to be a collector of concerts, you must master the fine art of sneaking in. Money is not the issue, it’s the space. That’s how I heard John P. Kee in back to back concerts at the Academy Cathedral in the early 90s. The 5pm concert was crazy, and I was determined to stay for the 7pm concert. My only problem is that security cleared the building between concerts. Somehow, they thought I was a part of the band and let me stay in…probably because that’s what I told them. Pray for me. It was a great concert.

So, those are my 7. What about concerts or artists that you remember? Who are the artists you enjoy today?

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7 Artists Kirk Franklin Should Thank

“7 Artists Kirk Franklin Should Thank”

My Public Evangelism class was about to start and we were discussing contemporary gospel music. Kirk Franklin will be in Huntsville this year during our annual Alumni Weekend here at Oakwood University. Franklin, of course, is arguably the most powerful figure in black gospel music today. He has won numerous awards, including 12 Grammys and a host of Stellar Awards, Dove Awards, and Billboard awards. Since his debut album Kirk Franklin and the Family in 1993, he has stayed at the top of the gospel music world.

But it occurred to me as we spoke, that Franklin is almost 50 years old now. So I asked the students, “ How many of you are Kirk Franklin fans?” Most of them were, so I pushed it a bit further.

“ Name some gospel music artists who were popular before Kirk Franklin.” Silence.  

“ Have you heard of Mahalia Jackson?” Nothing.    

“ Edwin Hawkins?”  Blank stares.

“ What about James Cleveland?”  One of my students responded, “ Yeah, I think I read about him in my class on The History of African American Music.” Oh, that hurt. It made me feel as old as I actually am. I had a mind to flunk the entire class. What are we teaching these kids!!!!

So, of course I adjusted my blog schedule to address this blasphemy. Let’s take a look at some musical pioneers who laid the foundation for the Travis Greenes and Ty Tribbetts and Tasha Cobbs and Walls Groups and countless others. Let’s look at 7 artists that Kirk Franklin and an army of other contemporary gospel music artists should thank.

Thomas Whitfield

Last week Kirk Franklin did a tribute to the Top 5 Gospel Legends on his Sirius FM radio channel.  He noted that Whitfield had the greatest impact on his music. A strange name to some but an absolute legend to many. From his hometown of Detroit, Michigan, Thomas Whitfield literally changed the direction of black gospel music.

From the Clark Sisters, to Commissioned, to Vanessa Bell Armstrong, to the Winans (all 100 of them), to Yolanda Adams, to Paul Morton, to Donald Lawrence, to even Aretha Franklin. Every one of them had a little Thomas Whitfield in them.  The “Maestro” as Whitfield was affectionately known, was a singer, arranger, writer, and innovator, who produced for each of those artists and many more.

In 1977 he organized the legendary Thomas Whitfield Company with his friend Tyrone Hemphill, and for the next 15 years they influenced the industry with classics like: Precious Jesus, Walk in the Light, and Oh, How I Love Jesus. Whitfield passed in 1992, but the Thomas Whitfield Company has continued to sing and keep his memory alive.

Edwin Hawkins

I distinctly remember black Adventist church music pre and post Edwin Hawkins. Before the Edwin Hawkins Singers exploded onto the gospel music landscape in 1968/69, most Adventist choirs thought they were hot when they sang “ Elijah Rock” or “ Soon ah Will Be Done.”   And the closest we came to contemporary gospel was “Father Abraham” at M.V. But the Hawkins family changed it all.

Edwin Hawkins was the originator of urban contemporary gospel music. It sounds strange to say “was” because he passed away less than a month ago. Born in Oakland, California, he played the piano with his family and other gospel groups from the age of 7. But in 1968 he produced an album with the Northern California State Youth Choir (COGIC), and later the Edwin Hawkins Singer that included the groundbreaking, “Oh Happy Day.”

The song, “Oh Happy Day” was the forerunner for every contemporary gospel song that ever crossed over onto the pop charts. It was an international hit selling over 7 million copies worldwide.  In 1969 it was the number one pop song in France, Germany, and the Netherlands and number two in the U.K. and Ireland. Amazing for a simple, straight- forward gospel song that declared:

“Oh, Happy Day, Oh Happy Day…. When Jesus washed…. He washed my sins away…. Oh, Happy Day.”

Mahalia Jackson

You could make the argument that it all started with Mahalia Jackson. (Although I’m sure some Thomas Dorsey and Rosetta Tharpe fans will disagree.) But Mahalia Jackson took the same kind of hits from the church in the 50s and 60s that Kirk Franklin took in the 90s. She was the recognized Queen of Gospel Music, but she was under constant criticism for,“ bringing that jazz into the church.” Sound familiar?

Born in New Orleans but raised in Chicago, she was the first gospel singer to perform at Carnegie Hall. At her height she toured America and Europe  billed as the World’s Greatest Gospel Singer. She was also in a number of motion pictures including the timeless tear-jerker, Imitation of Life. The legendary Harry Belafonte once described her as,” the single most powerful black woman in the United States.”

Mahalia Jackson recorded more than 30 albums during her lifetime. Her hits included:

 

  • How I Got Over
  • Holding My Saviour’s Hand
  • Amazing Grace
  • Remember Me
  • Roll Jordan Roll

 

But in 1948 she recorded the William Herbert Brewster classic, How I Got Over, and it sold more than 8 million copies. The song was inducted into the Grammy Hall of Fame In 1998.  All of her professional career she was pressured to follow the money and crossover into “secular” music, but she resisted. The greatest pressure came from her husband Ike, and they eventually divorced over the matter in 1941.

Mahalia Jackson was a pillar of the civil rights movement. In 1963 she sang at the historic March on Washington before Dr. Martin King spoke. And at the end of his message it was Mahalia Jackson who inspired him when she shouted out, “Tell them about the dream Martin!” And he did.

So, there you have it. Those are my first 3, with 4 to come.  Do you agree? Disagree? Who’s on your list?